Etchings etc

Sister Ursula by Sir Frank William Brangwyn RA RWS RBA (1867 – 1956) was an Anglo-Welsh artist, painter, water colourist, virtuoso engraver, illustrator, and progressive designer. Wood cut, 1919, signed. Image size: 10.5cm high x 11cm.

Venice by Colonel Robert Charles Goff (1837 – 1922) He was elected a Fellow of the Royal Society of Painter-Etchers and Engravers in 1887 and contributed regularly to their exhibitions. His work has been exhibited at:-  Royal Society of Artists, Birmingham; Dudley Gallery; Fine Art Society; Grosvenor Gallery; Walker Art Gallery, Liverpool; Manchester City Art Gallery; New English Art Club; Royal Hiberian Academy; Royal Academy; Royal Institute; Ridley Art Club; Royal Institute of Oil Painters. Etching, blue ink mark on left, signed. Plate size: 6.2cm high x 14cm.

Oxford Castle from the River by Sydney William Carline (1888 – 1929); was a British artist, painter, watercolourist, Etcher, lithographer, draughtsman and teacher. In 1922 he was appointed Ruskin Master of Drawing at Oxford University and in 1924 he was elected a member of the London Group. He exhibited at the Royal Academy and a number of memorial exhibitions were held in his memory. Examples of his work can be found in the Imperial War Museum and the Tate. Etching 1911, signed. Plate size: 13.8cm high x 17.4cm.

Venice by Colonel Robert Charles Goff (1837 – 1922) He was elected a Fellow of the Royal Society of Painter-Etchers and Engravers in 1887 and contributed regularly to their exhibitions. His work has been exhibited at:-  Royal Society of Artists, Birmingham; Dudley Gallery; Fine Art Society; Grosvenor Gallery; Walker Art Gallery, Liverpool; Manchester City Art Gallery; New English Art Club; Royal Hiberian Academy; Royal Academy; Royal Institute; Ridley Art Club; Royal Institute of Oil Painters. Etching, signed. Plate size: 15.2cm high x 22.7cm.

Albany E. Howarth (1872-1936) Exhibition History: Agnew & Sons Gallery; Colnaghi & Co Galleries; Fine Art Society; International Society; Walker Art Gallery Liverpool; Royal Academy; Royal Society of Painter-Etchers and Engravers; Royal Institute of Painters in Watercolours. Etching, signed and inscribed ‘Railway Terminus Venice’. Plate size: 17cm high x 17cm.

William Douglas Macleod (1892-1963) was a landscape painter in oils & pastels, etcher and cartoonist. He is represented in a few public collections. The Fine Art Society in London published his etchings in the 1920's. William also produced posters for British Rail. He exhibited at the Abbey Gallery; Glasgow Institute of the Fine Arts; Walker Art Gallery, Liverpool; Royal Scottish Academy and the Paris Salon. Etching of figures on the sands at low tide, with fishing boats, signed. Plate size: 21.5cm high x 28cm.

Malcolm Osborne (1880-1963) He studied at Bristol School of Art and the Royal College of Art, London, under Sir Frank Short and W.R. Lethaby. When Short retired in 1924 he succeeded him as Head of the etching and engraving school. In 1926 he was elected Royal Academician and credited CBE in 1948. There are prints by the artist in the Ashmoleum, Oxford, the British Museum and the Victoria & Albert Museum in London. Exhibited: Abbey Gallery; Beaux Arts Gallery; Chenil Gallery; Fine Art Society; Glasgow Institute of Fine Arts; International Society; Walker Art Gallery, Liverpool; Leister Gallery; Royal Academy; Royal society of Painter Etchers and Engravers; Ridley Art Club; Royal Scottish Academy. Etching of ‘Trekkers of the Plain, Salonika’; A caravan of oxen carts, near Doiran, Macedonia 1917, signed. Plate size: 13cm high x 34.6cm.

David Young Cameron (1865 – 1945) was born in Glasgow, Scotland. From around 1881 he studied at the Glasgow School of Art and in 1885 enrolled at the Edinburgh Schools of Art. He was elected associate of the Royal Society of Painter-Etchers (RE) in 1889. In 1895 he was elected Fellow of the RE. He exhibited regularly from 1889 to 1902, before resigning his membership in 1903. Etching & aquatint, 1904, ‘A Norman Village’, the village is Le Grand Andely. Plate size: 13.3cm high x 17.5cm.

Mortimer Luddington Menpes (1855 – 1938) was an Australian-born artist, author, printmaker and illustrator. Menpes became a member of the Royal Society of Painter-Etchers and Engravers in 1881, Royal Society of British Artists in 1885, Royal Institute of Painters in Water Colours in 1897 and Royal Institute of Oil Painters in 1899. Etching 1907/8, signed. Plate size: 20cm high x 30cm.

William Merritt Chase (1849 – 1916) American painter etcher. In New York he established a school of his own, after teaching with success for some years at the Art Students League. Mr Chase won many honours at home and abroad, became a member of the National Academy of Design, New York, and for ten years was president of the Society of American Artists. Etching. Image size: 15cm high x 9cm.

William Walcot (1874 – 1943) was a British architect graphic artist and etcher. Walcot, was one of the most sought after English architectural illustrators of the 1920s and 30s. He was elected to the Royal Society of British Artists in 1913, as an associate of the Royal Society of Painter-Etchers and Engravers in 1916 and a Fellow of the RIBA in 1922. He was also an associate of the British School at Rome. Walcot's paintings and etchings are frequently exhibited; his painting palette is preserved at the Royal Institute of British Architects. Etching, signed. Plate size: 17.8cm high x 19.7cm.

Carnarvon Castle, Wales by Albany E. Howarth (1872-1936) Exhibition History: Agnew & Sons Gallery; Colnaghi & Co Galleries; Fine Art Society; International Society; Walker Art Gallery Liverpool; Royal Academy; Royal Society of Painter-Etchers and Engravers; Royal Institute of Painters in Watercolours. Etching, signed. Plate size: 26.5cm high x 35cm.

William Douglas Macleod (1892-1963) was a landscape painter in oils & pastels, etcher and cartoonist. He is represented in a few public collections. The Fine Art Society in London published his etchings in the 1920's. William also produced posters for British Rail. He exhibited at the Abbey Gallery; Glasgow Institute of the Fine Arts; Walker Art Gallery, Liverpool; Royal Scottish Academy and the Paris Salon. Etching of a Gondola, ‘The Lagoon’, Venice, signed. Plate size: 23cm high x 37.5cm.

Margaret M. Rudge (1885-1972) exhibited almost every year at The Royal Academy from 1910 through to 1928, and at The Society of Women’s Artists. Etching, signed. Plate size: 19cm high x 24.8cm.

Dorothy EG Woollard (1886-1986) trained at the Bristol School of Art. In 1913 she won a British Institution scholarship to the Royal College of Art Etching School. She was elected an Associate Member of the Royal Society of Painter Etchers and Engravers (RE) in 1916, and a Fellow in 1925. She exhibited regularly at the Royal Acvademy, RE, Royal Society of Women Artists and other UK venues, and occasionally in the USA. Examples of her work can be found in the Victoria & Albert Museum, British Museum and Bristol's Museum and Art Gallery. Etching, signed. Plate size: 20cm high x 15cm.

Eugène Béjot (1867 – 1931) studied at the Julian Academy.  In 1893 he became a partner of the National Society of Fine Arts and exhibited at the Salon until 1912. He received a silver medal at the 1900 World's Fair.  In 1908 he was elected a member of the Royal Society of Painter-Etchers and Engravers in London. Etching 1917, signed. Plate size: 12.8cm high x 15cm.

John Bulloch Souter (1890–1972) exhibited paintings and etchings at The Redfern Gallery, The Fine Art Society, Royal Scottish Academy and the Royal Academy. Etching of Gran Via, Madrid, a Spanish Funeral limited to 30 plates, signed. Plate size: 17.5cm high x 21cm.

Nathaniel Sparks (1880 – 1956) won a scholarship to The Bristol College of Art and Science. In 1900, a further scholarship brought him to the Royal College of Art, London. In 1905 he received a Diploma in Decorative Painting from the Royal Academy and was made an Associate of the Society of Painter-Etchers, becoming a full member in 1910. Except for the two war years, 1917 and 1918, Nathaniel Sparks had an unbroken record of exhibiting at the Royal Academy from 1909 to 1937. It is interesting to note that Queen Mary purchased at least two of his prints: ‘The Shadow and the Shade’ and, in 1915, ‘Westminster Abbey seen through the Fountain'. Saint Clements Danes, City of Westminster, London, etching 1909, signed. Plate size: 36cm high x 23.5cm.

Andrew F.  Affleck (c. 1869 - 1935) painter and etcher born in Ayr who specialised in architectural subjects. Affleck exhibited at between 1904 and 1929 at the following; Connell & Sons Gallery; Glasgow Institute of Fine Arts; Walker Art Gallery, Liverpool; London Salon; Royal Scottish Academy and Royal Academy. Today, the largest collections of Affleck's original etchings are housed in the British Museum, London. View of Saint Mark's Basilica Venice from a canal, etching, signed. Plate size: 45.5cm high x 28cm.

Bernard Cecil Gotch (1876-1963) attended Winchester School of Art, first as a student and then later as teacher. Lincolns Inn; Fine Art Society; Royal Academy; Oxford galleries and colleges. Bursledon Bridge, Hampshire, lino-cut, signed. Image size: 23cm high x 34.5cm.

Wilfred Huggins (1873 - 1949) Exhibited at the Royal Academy and the Walker Art Gallery, Liverpool. An example of his work can be found in the Royal Borough of Windsor and Maidenhead, Civic Collection, “View of Windsor Castle from Eton Wick”. View from Saint Mark’s Square down Riva Degli Schiavoni, etching with aquatint, signed. Plate size: 20cm high x 28cm.

Sir Muirhead Bone (1876–1953) was a Scottish etcher, drypoint and watercolour artist who became known for his depiction of industrial and architectural subjects and his work as a war artist in both the First and Second World Wars. Evening, Port of Genoa. 1915, etching, heavy burr, signed, from an edition of 45. Plate size: 19.5cm high x 25.5cm

Arthur James Turrell (b.1871) was known mainly as an etcher/engraver. Studied in London and in Paris and went on to paint topographical studies and views of England, Italy, Spain and Germany between about 1920 and 1935. Exhibited; Royal Academy; Royal Society of Painter-Etchers and Engravers; Glasgow Institute of Fine Arts; Walker Art Gallery, Liverpool. View of Saint Mark's Basilica Venice from a canal, Etching, signed. Plate size: 27.5cm high x 24.8cm.

David Young Cameron (1865 – 1945) was born in Glasgow, Scotland. From around 1881 he studied at the Glasgow School of Art and in 1885 enrolled at the Edinburgh Schools of Art. He was elected associate of the Royal Society of Painter-Etchers (RE) in 1889. In 1895 he was elected Fellow of the RE. He exhibited regularly from 1889 to 1902, before resigning his membership in 1903. Etching, Plate size: 14.6cm high x 9.5cm.

David Robertson (1885 - 1944) was an architect, artist and etcher who studied at the Glasgow School of Art. He served with the Artists’ Rifles in World War 1. For three years, 1927-29 H.C. Dickins published at least 20 plates, almost all Italian views, mostly of Venice. David Robertson exhibited watercolours with the Fine Art Society in 1936. Entrance to the Grand Canal, Venice, etching 1928, signed and marked ‘Trial C’. Plate size: 24.5cm high x 37.5cm.

Alphonse Legros (1837-1921) painter, etcher and sculptor born in Dijon. Le Bouleaux: Bord de L'eau, Effect du Matin. (Birches: along the water, effect of morning), etching circa 1890, signed. Plate size: 12.5cm high x20cm. 

John Robert Keitley Duff (1862-1938) Painter and etcher, studied art at the Slade School under Legros. Duff exhibited at the Royal Academy from 1891, and with the New English Art Club from 1894, and was elected a member of the Royal Institute of Painters in Watercolours 1913 and of the Royal Society of Etchers in 1919.   His work is represented in several public collections, including by three examples in Manchester City Art Galleries. Etching circa 1918, of a Sheppard and his flock of sheep at sunrise, blind stamp ex. Collection of Frank Lewis Emanuel. Plate size: 7cm high x 10cm.

Charles Murray (1894–1954) painter and engraver of imaginative subjects; studied at Glasgow School of Art 1908–11, then won a Prix de Rome for etching, enabled him to study at the British School, Rome, 1922–5. His first one-man show was at the Leicester Galleries in 1946, another following at Batley Art Gallery in 1950. Memorial exhibition at Temple Newsam House, Leeds, 1955, and an Edinburgh International Festival show at The Merchant Company Hall in 1977. Tate Gallery and Scottish National Gallery of Modern Art hold his work. Etching, signed. Plate size: 6.5cm high x 10cm.

Leon E. Verdier was a Listed Exhibitor - British Industries Fair 1947. Publishers and Printers of Artistic Birthday and Christmas Cards, Gift Cards, Floral Post Cards and Calendars. Soft ground etching, coloured by hand, signed and inscribed ‘The Grand Canal, Venice’. Plate size: 15.5cm high x 21cm.

James Dudley Haynes (1894 – 1947) studied painting under Francis Jackson (1872-1945) and etching under Malcolm Osborne (1880-1963), taught art at Framlingham College. A member of the Ipswich Art Club 1939-1946 and exhibited at Birmingham Royal Society of Arts and the Royal Academy. Sheep Shearing, Ambleside, etching, signed. Plate size: 14cm high x 22.7cm.

Hans Figura, Austrian (1898 - 1978) His first major success came in 1924, when he won acclaim for his etchings exhibited in Italy and the United States. In 1929, he visited the United States and in 1930, he travelled back to France, Holland and Switzerland. During this time he maintained studios in both New York City and Vienna, Austria. Throughout the course of his career, he exhibited his paintings & prints in many of the large cities throughout Europe and the United States. Many of his works were acquired by museums and galleries. Saint Mark’s Square, Venice, Etching with colouring in the inks, signed. Plate size: 13.5cm high x22cm.

William Walcot (1874 – 1943) was a British architect graphic artist and etcher. Walcot, was one of the most sought after English architectural illustrators of the 1920s and 30s. He was elected to the Royal Society of British Artists in 1913, as an associate of the Royal Society of Painter-Etchers and Engravers in 1916 and a Fellow of the RIBA in 1922. He was also an associate of the British School at Rome. Walcot's paintings and etchings are frequently exhibited; his painting palette is preserved at the Royal Institute of British Architects. Etching, The Library of San Marco, Venice 1920, signed. Plate size: 12cm high x 18cm.

John Robert Keitley Duff (1862-1938) Painter and etcher, studied art at the Slade School under Legros. Duff exhibited at the Royal Academy from 1891, and with the New English Art Club from 1894, and was elected a member of the Royal Institute of Painters in Watercolours 1913 and of the Royal Society of Etchers in 1919.   His work is represented in several public collections, including by three examples in Manchester City Art Galleries. Aquatint of sheep in a barn, signed, inscribed ‘F L Emanuel from JRK Duff’, blind stamp ex. Collection of Frank Lewis Emanuel. Plate size: 6.5cm high x 10.3cm.

Francis Dodd (1874-1949) was a British portrait painter, landscape artist and printmaker. He trained at the Glasgow School of Art alongside Muirhead Bone who married Dodd's sister. At Glasgow, Dodd won the Haldane Scholarship in 1893. During World War I, in 1916, he was appointed an official war. Serving on the Western Front, he produced more than 30 portraits of senior military figures. However, he also earned a considerable peace-time reputation for the quality of his watercolours and portrait commissions. He was appointed a trustee of the Tate Gallery in 1929, a position he held for six years, and was elected as an Associate of the Royal Academy in 1927 and a full Member in 1935. Etching, 1913 of Waterloo Place, London, signed. Plate size: 19.7cm high x 36.5cm.

Ernest Herbert Whydale (1886-1952) studied at the Westminster College of Art and at Camberwell and had already been practising as a commercial artist for some years, producing work of a very high quality. In 1910 he had his first picture hung at the Royal Academy and continued to exhibit there almost every year until 1950. Early in his career, Whydale showed great talent as an etcher; in 1914 the National Gallery of Canada acquired five of his etchings and he also contributed one to Queen Mary’s Doll’s House, which was shown at the British Empire Exhibition in 1924. In 1920 he was elected an associate member of the Royal Society of Painter-Etchers and Engravers. Wood cut of workers in a barn. Image size: 34.5cm high x 39.5cm.

Sir Frank William Brangwyn RA RWS RBA (1867 – 1956) was an Anglo-Welsh artist, painter, water colourist, virtuoso engraver, illustrator, and progressive designer. The Inn of The Parrot (l’Auberge au Parroquet), etching signed. Plate size: 55.5cm high x 37.8cm.

Pottery, Rouen (Une Poterie a Rouen) by Sir Frank William Brangwyn RA RWS RBA (1867 – 1956) was an Anglo-Welsh artist, painter, water colourist, virtuoso engraver, illustrator, and progressive designer. Copper plate etching, signed. Image size: 12cm high x 22cm.

A Spanish Church by Sir Frank William Brangwyn RA RWS RBA (1867 – 1956) was an Anglo-Welsh artist, painter, water colourist, virtuoso engraver, illustrator, and progressive designer. Lithograph, 1927, signed. Image size: 18.5cm high x 15cm.

On the Beach by Sir Frank William Brangwyn RA RWS RBA (1867 – 1956) was an Anglo-Welsh artist, painter, water colourist, virtuoso engraver, illustrator, and progressive designer. Woodcut, 1919, signed and inscribed ‘drawn at Whitby from life’. Image size: 5cm high x 9cm.

Old houses, Espalion (Vieilles Masions a Espalion) by Sir Frank William Brangwyn RA RWS RBA (1867 – 1956) was an Anglo-Welsh artist, painter, water colourist, virtuoso engraver, illustrator, and progressive designer. Dry-point etching, one of 64 impressions, signed. Image size: 15cm high x 20.2cm.

City of London by Ernest Llewellyn Hampshire (1882 - 1944) Ernest Hampshire was a landscape painter in oil and watercolour, etcher and architect. He exhibited between 1907 and 1938 at the Royal Academy, Royal Institute of Painters in Watercolours, Royal Institute of Oil Painters, in the provinces, at the Paris Salon and also the Walker Art Gallery. Signed etching with the blind stamp of Frank Lewis Emanuel. Plate size: 14.3 cm high x 7.5cm.

Bridge, Venice by Albany E. Howarth (1872-1936) Exhibition History: Agnew & Sons Gallery; Colnaghi & Co Galleries; Fine Art Society; International Society; Walker Art Gallery Liverpool; Royal Academy; Royal Society of Painter-Etchers and Engravers; Royal Institute of Painters in Watercolours. Etching 1929, signed. Plate size: 16cm high x 18.8cm.

The Tannery, Parthenay (la Tannerie, Parthenay) by Sir Frank William Brangwyn RA RWS RBA (1867 – 1956) was an Anglo-Welsh artist, painter, water colourist, virtuoso engraver, illustrator, and progressive designer. Copper plate etching, one of 123 impressions, signed. Image size: 25.3cm high x 20.3cm.

Sir Frank William Brangwyn RA RWS RBA (1867 – 1956) was an Anglo-Welsh artist, painter, water colourist, virtuoso engraver, illustrator, and progressive designer. Old Bridge at Pavia (Vieux Pont a Pavie), etching signed. Plate size: 35.2cm high x 55.6cm.

Hedley Fitton (1857 – 1929) was an engraver and printmaker noted mainly for his architectural etchings. His etchings included street scenes and important cathedrals in London, Florence, Edinburgh, and Paris. In 1907 the Société des Artistes Français awarded Fitton a Gold Medal for his work. His work was exhibited at the Royal Academy, Royal Society of Painter-Etchers and Engravers, Royal Watercolour Association and at the Paris Salon. Etching, signed. Plate size: 33cm high x 44cm.

William Walcot (1874 – 1943) was a British architect graphic artist and etcher. Walcot, was one of the most sought after English architectural illustrators of the 1920s and 30s. He was elected to the Royal Society of British Artists in 1913, as an associate of the Royal Society of Painter-Etchers and Engravers in 1916 and a Fellow of the RIBA in 1922. He was also an associate of the British School at Rome. Walcot's paintings and etchings are frequently exhibited; his painting palette is preserved at the Royal Institute of British Architects. Etching, signed. Plate size: 6.5cm high x 13cm.

Sir Frank William Brangwyn RA RWS RBA (1867 – 1956) was an Anglo-Welsh artist, painter, water colourist, virtuoso engraver, illustrator, and progressive designer. Basilica di Santa Maria della Salute, Venice, Santa Maria, etching signed. Plate size: 27.8cm high x 36.8cm.

Rowland John Robb Langmaid R.A. (1897 –1956) was a British Seaman, engraver, artist and war artist. Studied at the Royal Academy and the Royal College of Art. He enjoyed some popularity and staged exhibitions in London, New York and Paris. Langmaid was the official war artist to the Commander-in-Chief Mediterranean Fleet from 1941 to 1943. He died near Málaga on the south coast of Spain. Etching signed. Plate size: 20cm high x 15cm.

Paul Signac (1863 – 1935) “Paris: Le Pont des Arts avec Remorquers”, 1927, published in “Dix Peintres au XXe Siécle” in an edition of 250. Etching and aquatint on cream wove paper (vellum) inscribed in the plate with the artist’s signature (lower right). Published in a limited edition of 250.

Etching of a snail by Katharine Cameron (1874 – 1965) sister of the artist David Young Cameron, 4th State signed in pencil. Plate size: 6 cm high x 8.5 cm.

Lambing; Shepard feeding a lamb, woodcut by Clare Veronica Hope Leighton (1898 – 1989) limited to 15/50 in 1926, signed in pencil inscribed “to Miss Bunbury from Clare Leighton”. Image size: 16.5 cm high x 12 cm.

Theatre in the Hedge; woodcut of a young boy watching a rabbit through a hedgerow by Alec Buckles (1892 – 1972), signed in pencil and numbered 5/25. Image size: 10.5 cm high x 8 cm.

Wild Drakes. Etching by James Robert Granville Exley (1878 – 1967) in 1906, signed in pencil. Plate size: 12 cm high x 8 cm.

Portrait of a man in a top hat with a walking cane. Etching by Middleton Todd (1891-1966). Signed in pencil. Plate size: 11.5 cm high x 8.5 cm.

Washing Day, by S. Anderson, Etching signed in pencil. Plate size: 15 cm high x 20.5 cm.

The Love Birds, etching of a couple sitting on a window ledge in a garden, with bird cage containing Love birds behind them. Early proof of the image with directions to rework the plate written on the paper in pencil. Plate size: 16 cm high x 11.5 cm.

Herman Armour Webster (1878 - 1970) etching of a view in Venice. Some foxing, signed in pencil. Plate size: 12.5 cm high x 16 cm.

Frederick Carter A.R.E. (1883-1967) Quarry Gap 1927; an original etching from the Wandering Jew series, produced over 15 years between 1913-1928. Signed in pencil. Plate size: 18 cm high x 12.5 cm.

Portrait of a man with Glasses. Etching signed in pencil. Plate size: 20.5 cm high x 11.5 cm.

Portrait of an elderly lady (Old Nan) by Herbert Johnson Harvey (1884-1928). Etching signed in pencil, edition 69/75. Plate size: 18.5 cm high x 17.5 cm.

Our Messenger a man on a horse by Edmund Blampied (1886 – 1966). Etching signed in pencil. Plate size: 15 cm high x 20 cm.

The Wood Gatherers etching by George Soper (1870-1942) made in 1921, signed in pencil.  Plate size: 20 cm high x 26 cm. 

Youth and Age Original etching 1928 by Frederick Carter A.R,E (1883 – 1967). Signed and titled in pencil and numbered 12/25. This is part of The Wandering Jew Series produced over 15 years between 1913-1928.  Plate size: 25 cm high x 18 cm.

Tintoret's House Venice, etching by David Young Cameron (1865–1945) made in 1894. Signed in Pencil.  Plate size: 24 cm high x 11.5 cm.

Deer. Etching by Robert Sargent Austin (1895 –1973) made 1919, signed in pencil, numbered 22/75. He was a noted artist, illustrator, engraver and currency designer and widely considered to be one of Britain's leading mid-twentieth century printmakers. Plate size: 22.5 cm high x 29.5 cm.

Arthur Neville Chamberlain FRS (18 March 1869 – 9 November 1940) was a British politician of the Conservative Party who served as Prime Minister of the United Kingdom from May 1937 to May 1940. He is best known for his foreign policy of appeasement, and in particular for his signing of the Munich Agreement on 30 September 1938. The document he is holding could be the "Munich Agreement".

An Elderly Couple at a Cottage Door, etching by William Strang (1859 – 1921) printed by David Strang (1887-1967) signed in pencil. Plate size: 20 cm high x 156 cm.

Genova 1930; Etching by Sir Henry George Rushbury (1889 – 1968), signed in pencil, from an edition of 80 proofs. Plate size: 21.5 cm high x 39 cm

Le don de la Mariee (The Bride's Gift) lithograph of a woman in bridal dress, standing before plant on window sill, her hands held out, by Ethel Gabain (1883-1950). created and printed in 1919 in an edition of only 24. Signed and titled in pencil. Image size: 37 cm high x 24cm.